Description

“Instead of 1984, read this.” —Washington Post

From New York Times bestselling author Lionel Shriver, a near-future novel that explores the aftershocks of an economically devastating U.S. sovereign debt default on four generations of a once-prosperous American family

In 2029, the United States is engaged in a bloodless world war that will wipe out the savings of millions of American families. Overnight, on the international currency exchange, the “almighty dollar” plummets in value, to be replaced by a new global currency, the “bancor.” In retaliation, the president declares that America will default on its loans. “Deadbeat Nation” being unable to borrow, the government prints money to cover its bills. What little remains to savers is rapidly eaten away by runaway inflation.

The Mandibles have been counting on a sizable fortune filtering down when their ninety-seven-year-old patriarch dies. Once the inheritance turns to ash, each family member must contend with disappointment, but also—as the U.S. economy spirals into dysfunction—the challenge of sheer survival.

Recently affluent, Avery is petulant that she can’t buy olive oil, while her sister, Florence, absorbs strays into her cramped household. An expat author, their aunt, Nollie, returns from abroad at seventy-three to a country that’s unrecognizable. Her brother, Carter, fumes at caring for their demented stepmother, now that an assisted living facility isn’t affordable. Only Florence’s oddball teenage son, Willing, an economics autodidact, will save this formerly august American family from the streets.

The Mandibles is about money. Thus it is necessarily about bitterness, rivalry, and selfishness—but also about surreal generosity, sacrifice, and transformative adaptation to changing circumstances.

About the Author

Although Lionel Shriver has published many novels, a collection of essays, and a column in the Spectator since 2017, and her journalism has been featured in publications including the Guardian, the New York Times and the Wall Street Journal, she in no way wishes for the inclusion of this information to imply that she is more “intelligent” or “accomplished” than anyone else. The outdated meritocracy of intellectual achievement has made her a bestselling author multiple times and accorded her awards, including the Orange Prize, but she accepts that all of these accidental accolades are basically meaningless. She lives in Portugal and Brooklyn, New York.

Praise For…

“A provocative and very funny page-turner…” — Wall Street Journal

“….[A] powerful work...Prescient, imaginative and funny, it also asks deep questions.” — The Economist

“Hilarious, brilliant new novel...” — Elle

“Known for tackling big contemporary issues head-on, Shriver deals skilfully here with the implications of economic meltdown. The novel, set in a near-ish future, tells of the plight of the once wealthy Mandible family and the decline of four generations into penury, thieving and prostitution.” — Financial Times (A Summer Pick of 2016)

“[Shriver has] a sharp social eye and a blistering comic streak, and her focus on nailing down the economic nitty-gritty of her plot is only one piece of the great, disconcerting fun she has in sending the world as we know it so vividly to hell.” — The New Yorker's Page-Turner Blog

“Shriver has always seemed to be at least a few steps ahead of the rest of us, but her new novel establishes her firmly as the Cassandra of American letters….I don’t remember the last time a novel held me so enduringly in its grip.” — New York Times Book Review

“It’s scaring the hell out of me.” — Tracy Chevalier

The world that the Mandible family must negotiate is evoked in seamless detail… One thing I really like is her coining of made-up slang for her younger generation of characters and her resolutely materialist analysis of what could be coming. — Jane Smiley, The Guardian

“Distinctly chilling.” — Independent (UK)

“This is a sharp, smart, snarky satire of every conspiracy theory and hot button political issue ever spun; one that, at first glance, might induce an absurdist chuckle, until one realizes that it is based on an all-too-plausible reality.” — Booklist (starred review)