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Animals in the American Classics: How Natural History Inspired Great Fiction (Integrative Natural History Series, sponsored by the Museum of Natural History Collections, Sam Houston State University) (Hardcover)

Animals in the American Classics: How Natural History Inspired Great Fiction (Integrative Natural History Series, sponsored by the Museum of Natural History Collections, Sam Houston State University) Cover Image
By John Cullen Gruesser (Editor), Susan F. Beegel (Contributions by), John Bird (Contributions by), Deborah Clarke (Contributions by), Robert Donahoo (Contributions by), William Engel (Contributions by), Barbara Heavilin (Contributions by), Stacey Peebles (Contributions by), Philip Edward Phillips (Contributions by), Anthony Reynolds (Contributions by), Cherene Sherrard-Johnson (Contributions by), Susan Elizabeth Sweeney (Contributions by), Brian Yothers (Contributions by), William I. Lutterschmidt (Foreword by)
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Description


As defined by conservation biologist Thomas Fleishner, natural history is “a practice of intentional, focused receptivity to the more-than-human world . . . one of the oldest continuous human traditions.” Seldom is this idea so clearly reflected as in classic works of American fiction of the nineteenth and twentieth centuries.

John Cullen Gruesser’s edited volume Animals in the American Classics: How Natural History Inspired Great Fiction features essays by prominent literary scholars that showcase natural history and the multifaceted role of animals in well-known works of fiction, from Washington Irving in the early nineteenth century to Cormac McCarthy in the late twentieth century, and including short stories and novels by Edgar Allan Poe, Herman Melville, Mark Twain, Zora Neale Hurston, William Faulkner, Ernest Hemingway, Jack London, John Steinbeck, and Harper Lee.

As an introduction to or a new way of thinking about some of the best-known and most beloved literary texts this nation has produced, Animals in the American Classics considers fundamental questions of ethics and animal intelligence as well as similarities among racism, ageism, misogyny, and speciesism.  

With their awareness of Poe’s “more-than-casual knowledge of natural science,” Mark Twain’s proto–animal rights sensibilities, and Hurston’s training as an anthropologist, the contributors show that by drawing attention to and thinking like an animal, fiction tests the limits of humanity.

About the Author


JOHN CULLEN GRUESSER is senior research scholar of literary studies at Sam Houston State University. He is the author of numerous books, including Edgar Allan Poe and His Nineteenth-Century American Counterparts and A Literary Life of Sutton E. Griggs The Man on the Firing Line, and coeditor, of the Broadview Edition of Pauline E. Hopkins’s novel Hagar’s Daughter.

Praise For…


“John Gruesser has gathered together a sterling collection of essays illuminating the various ways in which animals have sparked the imaginations of many of our finest writers. These chapters demonstrate that our best fiction is inspired by and entwined with a deep awareness of natural history.”—Alfred Bendixen, editor of A Companion to the American Novel
— Alfred Bendixen

Product Details
ISBN: 9781648430206
ISBN-10: 1648430201
Publisher: Texas A&M University Press
Publication Date: October 11th, 2022
Pages: 304
Language: English
Series: Integrative Natural History Series, sponsored by the Museum of Natural History Collections, Sam Hous